Britain’s top best-selling female author is surprisingly a New Hampshire-based writer. In a Observer magazine profile, “The Great Unknown”, writer Louise France examines the reasons for the astonishing success of Jodi Picoult’s commercial novels like My Sister’s Keeper and The Pact, and ponders why the literary establishment ignores her.

France acknowledges that Picoult’s narratives may not be literary or elegant and that her prose sometimes can be clumsy and sentimental, yet her books are impossible to put down. Her formula for success, France determines, Is: “choose a subject which is soon to become controversial and tell the story through a rotating cast of characters. Stem cell research, date rape, domestic violence, sexual abuse, teenage suicide - here are some of the knottiest moral issues of our times sandwiched between the soft-focus covers of what is commonly dismissed as an airport novel.”  

And Picoult’s latest, Nineteen Minutes, is bound to be even more controversial in light of the Virginia Tech tragedy in which 33 people were shot to death by a lone gunman.

In the profile, Picoult describes in now chilling detail how she drew on the Columbine tragedy of 1999 to research  her story of a high school shooting. Noting that one high school principal thought the book should be banned, Picoult begs to differ, “‘This is a topic we need to start talking about. We can go on not talking about it, but a lot of kids are going to die. People want to believe that school shootings happen in big cities like New York, but they also happen in small towns like this, where there is a high socio-economic bracket.’