I’m only human in New York City, which means I often get sick of looking at human faces. In fact, I’m supposed to avoid looking at them because you never know—a tired glance could be taken as a murderous glare, a smile for an invitation to run all the bases.

But I digress. What I’m trying to say is that I love cartoons. Give me a vulnerable, gorgeous French cartoon girl like the one pictured on the cover of Capucine and Olivier Ka’s Le Philibert de Marilou, and I’m all eyes. That sounds bad, but all I mean is it’s interesting as hell to look at an artist’s rendering of humanity. 

To boot, I’m glad to blog about my first foreign-language sighting because America is a country of multiple tongues, duh. Plenty of libraries order French materials, and given the popularity of graphic novels, they should know about this notable title by Capucine and Ka. Not much information in English exists on either author, or their creation for that matter.

With the help of Google’s not-exactly-dead-on translation mechanism and my college French, however, I’ve deduced that the graphic novel tells the story of a lonely, beautiful, celibate 30-something (Marilou) whose clinical neuroses take the form of a terrific monster (Philibert) that prevents her from being happy—and cultivating a romantic relationship with a man.

The kids and critics alike seem to dig this dark story—several French teens and twentysomethings mention it on their MySpace profiles, and it appears Ka, a Lebanese-born Frenchman known for his children’s books and comics, has a reputation for intense stories. His latest graphic novel, Pourquoi j’ai tué Pierre (Why I Killed Pierre), a winner at this year’s International Comic Book Festival in Angoulême, recounts the sexual abuse Ka suffered at the hands of a priest at a summer camp when he was 12.

LJ, unfortunately, does not get in many French translations of graphic novels, a pity considering the seemingly smokin’ talent. French speakers in America, you’re one lucky piece of the library demographic.